Monday 15 June, 5 AM. Black birds. Small black birds swooping in and out of holes in the walls, through antennas, cables and metal structures that extend from the buildings. Below, dirt streets, potholes, overflowing bins, cars squeezed into the limited space. I raise my eyes and look at the compound; a calm and central courtyard surrounded by a wide concrete outer ring of apartments. Two archways join the space to the city, an open fortress only a block away from Sukhbaatar Square. Strange structures.
A muffled yawn escapes my mouth as I watch the scene from the window on the sixth floor. A man carries a bucket full of water and empties it on some plants. A young couple leaves for work, and a middle-aged man arrives – a night porter perhaps, he wears an unbuttoned white shirt with black striped brown trousers which are too short for his legs, his socks are white. The sun is rising and I can already hear klaxons in the nearby streets. Slowly the city awakens. Soon, the now familiar music of the rubbish truck will join the soundscape. An inaudible sigh flows from my eyes. Nostalgia. I don’t know when, or if I will be back. This view, these sounds, will not be repeated. Every window is unique. So I record the language of the birds with their city. Ulaanbaatar.
Sunrise in Ulaanbaatar, Monday 15 June 2015.